The
Stoke on Trent historian, Fred Hughes, believes in getting his
hands dirty! - so he's been to the demolition site where once
stood the famous Wades factory (left).
So starts the story of the Hallens, van Hallen, and the Wades'
"whimseys".
Very soon there will be a new housing estate in Stoke on Trent
on the former Wades' factory site in Green Head Street in Burslem
town centre.
I have been a bit disappointed that the former Shaftesbury school
has been demolished - but I am reconciled to progress and of
course what Burslem needs is new residents.
Whimsey pickers!
So I went to have a look after the demolition was completed
and, on a sunny Sunday, I gazed over a flattened piece of land
that once hosted one of the most important pot works in the
town. Among the rubble was an army of people clustered together
in small groups rummaging around among the debris.
I asked a couple of chaps what they were looking for. 'Whimseys'
was the abrupt reply. And then I realised, of course this is
what Wades' had been famous for in recent times!
The "whimseys" were a line of very collectable small
ceramic character-figures made by Wades.
It was quite interesting to watch all these people searching
for some intact piece of memorabilia that might fetch them a
bob or two.
Just then I bent down and lifted from the clay an odd-shaped
piece of porcelain. I cleaned it and showed it to my ferreting
companions who scoffed and resumed their digging.
200 year old find
What I had found was far more interesting to me than the animal
characters that my friends prized.
What I had lifted was a broken ceramic bobbin that had probably
last seen the light of day 200 years before, during the height
of the Industrial Revolution.
Hallen pottery on the site
Between 1790 and 1850 a large family named Hallen had worked
at a number of pottery outlets throughout the North Staffordshire
district. One of these scattered members was Samuel Hallen who
lived and worked at Chesterton in nearby Newcastle.
Samuel married Elizabeth Riles who belonged to an early Burslem
printing family.
In the 1830's, a later Samuel Hallen acquired a potbank from
the Mitchell potters at the top of an area known as the Sytch,
overlooking Oxley Fields and Brownhills.
It was here that the Hallens concentrated on the lucrative market
of supplying ceramic 'pickers', shuttles and creels to the textile
mills throughout Lancashire. Hallen's trade grew so large that
the east side of the Sytch became known as 'Little Lancashire'.
And so to wades...
At the beginning of the 19th century, an enterprising furniture
maker, John Wade from Crewe, came to set up business in Burslem.
His sons, in their turn, became admired for their reputation
in business as they diversified into the manufacture of pottery.
In 1867 a potbank established by Joseph Wade and his partner,
Thomas Myatt, opened in Hall Street opposite to Hallen's.
It wasn't to be a success; and almost drifted into obscurity
until it was rescued by an Uncle George Wade.
The Wades were another large family in which there had been
bitter internecine warfare due to drunkenness and waste.
But a better business under the name of Wade & Co began
to make a profit. Wade & Co went into direct competition
with the well-established Hallens.
Wades take over Hallens
In 1890 a second famous George Wade took over the running of
the firm and progressed the business from textile ceramics into
the manufacture of gas lamp fittings and later electric fittings.
He bought out the Hallens in 1905 and virtually cornered the
industrial ceramics market.
With some irony, he called the Hallens potbank the 'Manchester
Works' to reflect the glory days of the Hallen's own 'Lancashire
Works'.
In the 1950's the potbank was renamed 'Greenhead Works', the
name that most people know it by. The company further diversified
and became specialists in tableware production.
In 1952, almost by accident, Wades designed and developed their
'Whimsey' range of ornamental figures which became the world's
first popular ceramic collectable gift ware.
Jessie appears
One of Wade's most famous modelers, more so since her death,
is Jessie Van Hallen (coincidentally related to the Hallen family
through marriage).
Since she died in 1983, Jessie has become most respected and
her work as a modeler/designer is most sought-after.
Her art deco pieces, such as 'Ginger', 'Lupino Lane' and 'Lotus'
are collector's icons.
Jessie's most noticeable and recognisable local design is the
red-brick wall sculpture that faced the office walls outside
the Manchester Works.
This mural has now been removed prior to demolition. Maybe my
friends searching the Manchester Works site managed to find
a bit of broken pottery made by Jessie Van Hallen.
But I was more than happy with my valueless piece of early memorabilia
taking me back to where it all began.